Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Richard Wilson
View towards the Pagoda and Bridge
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ID: 48601

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Richard  Wilson View towards the Pagoda and Bridge


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Richard Wilson

1713-1782 British Richard Wilson Galleries   Related Paintings of Richard Wilson :. | Lake Albano and Castel Gandolfo | View of Part of the south front and the Part of the south front and the Palladian bridge to the east | Flora MacDonald | The future George III | View from the South-east with the house and bridge beyond the lake and basin |
Related Artists:
Edward Simmons
October 27, 1852 ?C November 17, 1931,was an American Impressionist painter, remembered for his mural work. He was born in Concord, Massachusetts, the son of a Unitarian minister. He graduated from Harvard College in 1874, and was a pupil of Lefebvre and Boulanger in Paris, where he took a gold medal. In 1894, Simmons was awarded the first commission of the Municipal Art Society, a series of murals ?? ??Justice,?? ??The Fates?? and ??The Rights of Man?? for the interior of the Criminal Courthouse at 100 Centre Street in Manhattan. This court is the criminal branch of New York Supreme Court where many New Yorkers serve on Jury Duty. Later Simmons decorated the Waldorf-Astoria hotel in New York, the Library of Congress, Washington, D.C., and the Capitol at Saint Paul, Minnesota. In the year 1914 he travelled with Childe Hassam to view the Arizona desert paintings of the rising California artist, Xavier Martinez at his Piedmont studio. Simmons was a member of the Ten American Painters, who, as a group, seceded from the Society of American Artists. He was also considered a contributor to the style known as the American Renaissance, a movement after the American Civil War that stressed the relationship of architecture, painting, sculpture and interior design.
william a.thornbery
fl.1883-1886
COORTE, Adriaen
Dutch Baroque Era Painter, ca.1660-1707 Dutch painter. He painted mainly small still-lifes, but contrary to the contemporary fashion for increasingly complicated representations of flowers and fruit, he preferred to paint single objects arranged as simply as possible. Coorte's subjects were generally fruit or vegetables, sometimes shells and, more rarely, flowers or vanitas arrangements. These are generally arranged on a stone plinth or slab, often with a crack or groove on the front edge. In the larger paintings the composition is sometimes enclosed in a niche






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